Still poking at how I want this blog page to be structured, so please excuse the mess as I tinker with it.
Anyway, I'm about 9 books into my vampire fiction marathon! If you're keeping track, that's alredy 1 more book than I started with. Things have been escalating out here. I've finished my original batch, though, and I'm here to report as promised!
I have a huge range of genres, quality, and tone going on. Instead of star ratings, books will be rated from 1 to 5
coffins according to how much I enjoyed them. They will also be assessed using the following abstract categories of "Release the Bats" lyrics:
horror sex bat bite: what does the vampire lore of the book look like? What pieces of mythology does the author keep, discard, or invent? How is it used within the world and story? Is it used to address particular elements of society or art?
horror bat: how are the spooky/horror elements of the book presented? Are the vampires creepy monsters, mundane, fantastical? Is something else presented as the "evil" of the story?
sex vampire: how's the vampire sex? Sexuality is often an intrinsic part of vampire stories, whether textual or subtextual. Like most monster stories, vampire legends stem from social anxieties around specific issues; the heritage of modern vampire stories can mostly be traced back to vampire literature from the 19th Century, which is overwhelmingly preoccupied with fears of "the other" and European racism and xenophobia, as well as with sexual taboos and expectations around gender and sexuality. Modern interpretations of vampires have overwhelmingly focused on exploring the sexuality of vampires, either to subvert the misogyny and sexual repression of bygone eras or to bask in the transgressive danger the genre affords. I have read so much vampire smut this month.
sex horror: things I loved
horror bat bite: standout complaints
Kicking things off with the first book I finished on my list:
The Vampire Files: Fire in the Blood by P.N. Elrod 



There was a lot to enjoy in this one! I grabbed it at random from Half Price Books a while ago and haven't read the rest of the series, but it was easy to jump into and meet the characters on the fly. At a glance, it looks like the series spans a variety of time periods (an immortal protagonist lends a lot of flexibility!). This installment takes place in 30's Chicago, where Elrod lays out a solid-if-formulaic mystery story with a playful amalgamation of classic vampire and noir detective tropes. Jack Fleming (our vampire detective) is an engaging narrator and classic morally grey detective with a twist, and the balance of mystery and personal drama was great. Reading it wasn't all sunshine and roses; I thought the pacing needed a little help, and there were clunkily-described passages that left me feeling that the story would've played out a lot better as a play than a novel (though I like noir plays more than noir novels a lot of the time, so that's probably a me problem). Still, it was definitely a good time!
horror sex bat bite: Elrod makes pretty good use of some classic vampire lore for Jack. Jack can turn into a weightless mist and float through walls, heal rapidly from injuries, hypnotize victims into almost anything, and posesses superhuman strength and speed. He's worked out a decent system for getting the nutrition he needs by drinking from nearby cattle when he's in need of basic sustenance, and from his very willing girlfriend when he's in need of more than that. All this still has its downsides; he's essentially dead during daylight hours, and as vulnerable to fire, extreme injury, and wooden stakes to the heart as any other average vampire. He also grapples a lot with the moral implications of his hypnotic abilities. The vampire logistics here are nothing new, but I enjoyed what Elrod brought together and thought it suited the urban fantasy setting well. She pokes fun at a few of the more "silly"/folkloric vampire lore (Garlic, mirror invisibility, and the like), but doesn't dig much more into the philosophical or social aspects of vampire legend.
horror bat: Since this novel was much more noir thriller than vampire horror escapade, most of the tension arose from crime, betrayal, human cruelty, and physical violence rather than supernatural creepiness.
sex vampire: Jack has a steady girlfriend, Bobbi, who works at a nightclub. Their sex life is enthusiastic and exciting (both in the usual physical sense and in the blood-drinking sense, as Jack's narration makes sure to tell us). The main romantic/sexual conflict of the book is actually found in the relationship Jack stumbles into with one of the women involved in the mystery plot, Doreen. In a moment of careless lust, Jack hypnotizes and drinks from Doreen, an action he immediately begins to regret as his relationship with her solidifies and he realizes the seriousness of the action, both due to his violation of Doreen and betrayal of Bobbi. I thought this angle on the human-vampire blood drinking/sex consent issue was interesting; the conflation of non-consensual blood drinking with rape is very common (and has roots in older vampire literature and legend), but most modern stories that seek to deconstruct it focus mainly on the human perspective of consenting despite the danger, or healing after something non-consensual occurs. That's not to say that the vampire side of the story is unexplored, but it wasn't the type of introspection I expected from this book.
sex horror: The classic noir tone and integration of vampire lore and aesthetics into the '30s setting were a high point for me! Like I said, most of my engagement with this type of story is via stage plays, but I do like the tropes. I thought Elrod's characters were fun spins on each trope, and might like to see how she tackles other settings with her characters and concept sometime.
horror bat bite: As a whole, I would hesitate to describe the writing in this book as "good". The pacing of the mystery seemed to trip over itself a few times in attempts to hold onto the tension, and the way suspects came and went made it hard to track who was connected to who in a way that felt clumsy. Elrod's descriptive sections sometimes veer towards over-explaining, and the action scenes lack grace. There were also several passages, asides, and plotlines introduced that referenced misogyny, racism, and other bigotry of the time in ways that, while not inappropriate for the setting, could have definitely been handled with more nuance and thought.
More to come soon! Stay tuned!






